The University at Albany's website has a wonderful article up about the recent book Women Writers of the Provincetown Players. The book, edited by UAlbany Professor Emerita of English Judith E. Barlow, is a collection of thirteen short plays by women that were originally produced by the Provincetown Players. Here's an excerpt from the article, including part of the interview with Judith:"What made the Provincetown Players different from anyone else was that they performed American plays," said Barlow. As a result, they had a tremendous impact on the development of modern theater. In seven years, they produced almost 100 plays by some 50 artists, a large number of which were written by women.
Thirteen of the 29 people listed in the group's incorporation papers were female. Barlow shines a light on a one-act play from each of the female Players.
The Players were mostly white, middle class, and had some college education. But they considered themselves radical bohemians and performed in an abandoned wharf down the street from Glaspell's house on Commercial Street in Provincetown, Mass. They included an anarchist friend of Emma Goldman who sold tickets, and they questioned accepted notions about birth control, marriage, spinsters and the double standard.
Read the full article here and order a copy of the book here.
The University at Albany's website has a wonderful article up about the recent book Women Writers of the Provincetown Players. The book, edited by UAlbany Professor Emerita of English Judith E. Barlow, is a collection of thirteen short plays by women that were originally produced by the Provincetown Players. Here's an excerpt from the article, including part of the interview with Judith:
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